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And while you can’t go outside, at least here’s a reason to want to stay in.Latest Bollywood Songs Shershaah Movie | BellBottom Movie | Easy On Me Movie | Bad Munda Movie | Thalaivii Movie | Mimi Movie | Justice Movie | Sanak (Original Motion Picture Soundtrack) Movie | Just A Notion Movie | Shiddat Movie | Hum Do Hamare Do (Original Motion Picture Soundtrack) Movie | Top New Hindi Songs Jugnu Song | Dil Galti Kar Baitha Hai (Feat. All three artists are doing the thing they do best, giving the song a timeless durability. The vintage R&B notes add a sensualness to the sex. More inspired is having Ashanti play off a sample of her 2002 cut “Baby” on the chorus. In that way, Baby and Meg, who originally collaborated on “Cash Shit,” is an obvious marriage.
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The album is full of lascivious lines-it’s Baby, after all-but the sexual apex comes on the penultimate track, “NASTY.” Where Baby’s lyrics about women are often one-sided, on “NASTY” he re-teams with Megan Thee Stallion, who is more than his match when it comes to dirty talk (him: “She like when I pull it out and I put it all over her ass cheeks” her: “I put one leg on the headboard and leave the other leg on the mattress”).
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There’s plenty of pleasure to be taken purely from Baby’s theatrics-“JUMP” is another high-flying vault-but the greatest pleasure on BLAME IT ON BABY comes when the young playboy gets carnal. “Bitch, you know I turn piss into lemonade / Turn shit into sugar, that's chocolate pudding,” off “CAN’T STOP,” is a personal favorite. On early tracks like “PICK UP,” “LIGHTSKIN SHIT,” and “TALK ABOUT IT,” he sticks to his winning formula: turning out clever rhymes about sex and stunting in the consistent rhythm of a healthy EKG. The 28-year-old hops along like the Energizer Bunny, recapturing the same zippy vibrancy of last year’s Baby On Baby and KIRK.įans of Baby’s ear-crossing vocal dribbling will find plenty to like on BLAME IT ON BABY. The opening track is titled “CAN’T STOP,” and whether he can or can’t, he doesn’t. BLAME IT ON BABY is the recently minted superstar’s third album in 13 months-each a tight 13 tracks-and on it, he shows no signs of fatigue. But most impressively, DaBaby is indefatigable. He’s a nimble spitter, whose trademark delivery emerges in rapid, springy jabs. With the major sports leagues on indefinite hiatus, listening to DaBaby rap proves to be the next best thing. Thankfully, though, rather than reflect the moment in his new music, Baby provides a brief diversion. Its cover is blue, and it features a face-masked DaBaby looking down, dejected. DaBaby’s new album, BLAME IT ON BABY, has the look of a quarantine album (an emergent genre, for better or worse).